The Amazing Thing About Skin
The amazing thing about skin is that there are so many different ways to depict it. Like a religion, there are many different sects and belief systems.
You can either attempt to replicate skin tone exactly, as if you’re sculpting flesh from scratch.
You can capture the ways it reflects light, against a pool and sun.
Or you can go completely off the reservation and paint it with, say, Indigo Blue, Old Holland Gold Green and white over a wash of Rose Madder:
Or you can punch up the peachy reds to make the flesh aflame with golden light. It often looks more real without the natural color.
If not Grissaille, the technique whereby Verdaccio, the method of creating a green underpainting to create shadows that complement the peachy colors above.
Nor could one neglect the importance of glazing, where one applies thin transparent layers of paint above a molded form to capture the nature of skin’s translucence.
For portion of the lecture where I discuss another curious aspect of depicting skin, not mentioned here, and a recipe to help you achieve it go to the link below: